Carefully selected defaults mean you're up and running in no time.īesides supporting about every MOV, MXF, MP4, and Quicktime file, EditReady lets you work with the most popular RAW formats: RED, BRAW, ProRes RAW, and ARRI - with Sony and Canon on the way!īuilt for speed and optimised for the power of both old and new Macs, EditReady works with all flavours of Apple silicon and GPU acceleration you can throw at it. Applications/EditReady.app/Contents/Resources/Apple ProRes 422 (HQ. Get the best results without complicated setup. EditReady stores its preset files inside the app bundle with a. Transcode and re-wrap footage into high quality editable formats. A single production may use a mix of "A-Camera" files in ProRes422, "B-Camera" footage in H.264, as well as archive footage in formats like Apple Intermediate Codec.ĮditReady lets you take this mix of files and convert them into a single mezzanine format, offering your post-production pipeline simplicity, reliability, and performance. High-speed proxies, made quickly and easily. Natively supported in Final Cut Pro, you can now use EditReady for working with ProRes RAW in all other NLEs. Apple’s format makes the built-in flexibility of RAW much easier to manage. MOV, MP4 and MXF media can be converted quickly to edit QuickTime movies ProRes or DNxHD ready in. Brought to the market with a stellar hardware implementation by Atomos, Apple ProRes RAW is widely supported across a growing wide range of cameras and devices. It supports playback and transcoding of Phantom files to ProRes or DNxHD with the push of a button. EditReady lets you take this mix of files and convert them into a single mezzanine format, offering your post-production pipeline simplicity. EditReady provides easy, fast and powerful for video professionals, without an overwhelming interface or obsolete format transcoding options. We’re shipping EditReady Pro 22.4 today with support for Phantom CineRAW. Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. The brand-new EditReady Pro will focus on niche camera support and using EditReady as part of multi-app workflows. ProRes RAW is 12 bits, and ProRes 4444 is 12 image bits, so it is a good fit, and it runs well in Resolve. EditReady provides easy, powerful, and fast transcoding for video professionals.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |